Roadside Attractions has acquired U.S. distribution rights to the Shia LaBeouf-led adventure comedy The Peanut Butter Falcon, which captured the Audience Award after its world premiere at SXSW in March.
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Roadside Attractions has acquired U.S. distribution rights to the Shia LaBeouf-led adventure comedy The Peanut Butter Falcon, which captured the Audience Award after its world premiere at SXSW in March.
ContinueRoadside Attractions has teamed with Screen Media for the North American distribution rights to Hope Gap, a family drama starring Annette Bening, Bill Nighy, and Josh O’Connor. Oscar-nominated screenwriter William Nicholson directed the film, which will be released in theaters sometime next year.
ContinueRoadside Attractions and Vertical Entertainment have acquired Jake Scott’s drama American Woman, starring Sienna Miller, Christina Hendricks, Aaron Paul and Amy Madigan.
ContinueRoadside Attractions has obtained the U.S. distribution rights to the Edward Zwick-directed true-crime drama Trial by Fire and has slated a release date for May 17. Based on a 2009 article in The New Yorker by David Grann, the film starring Jack O’Connell, Laura Dern, Emily Meade and Jeff Perry premiered at last year’s Telluride Film Festival.
ContinueReleased by Roadside Attractions on 853 screens, “Run the Race” grossed $2.27 million for a per-screen average of $2,664 and the No. 10 spot on the box office charts
ContinueRoadside Attractions has been a leading independent film distributor since 2003. It delivered a surprise hit in 2018 with the faith-based blockbuster I Can Only Imagine, which is emblematic of its care in identifying spaces
ContinueHoward Cohen and Eric d'Arbeloff, who founded the indie distributor 15 years ago, also reveal why screenings are "more polite" post-Harvey Weinstein, finding Oscar potential with 'Ben Is Back' and working with Kevin Spacey pre-controversy.
ContinueRoadside Attractions is planning a wide 2019 theatrical release for Todd Robinson’s The Last Full Measure. The distributor has acquired U.S. rights on the Vietnam drama that stars Avengers: Infinity War‘s Sebastian Stan along with Christopher Plummer, William Hurt, Samuel L. Jackson, Ed Harris, Peter Fonda, Diane Ladd, Amy Madigan, Jeremy Irvine and Bradley Whitford.
ContinueThe film, which marks a teaming of Roadside, Lionsgate and LD Entertainment, will get a December release.
ContinueIn their 8th collaboration, LD Entertainment and Roadside Attractions have picked up the U.S. distribution rights to the Judy Garland biopic, Judy, starring Oscar-winner Renee Zellweger.
ContinueRoadside Attractions-Lionsgate’s faith-based “I Can Only Imagine” has crushed early box office forecasts with a surprisingly strong $17.1 million at 1,629 locations in North America.
ContinueWhitney Houston’s life and legacy will live on in theaters across the country later this year. Miramax and Roadside Attractions announced Friday they will release the feature-length documentary Whitney, an “intimate, definitive account of the superstar’s life and career” and “the only film officially supported by the late singer’s estate” across the nation on July 6.
ContinueLionsgate and sister company Roadside Attractions have acquired U.S. rights from Los Angeles Media Fund to Jesse Peretz’s romantic comedy “Juliet, Naked,” starring Rose Byrne, Ethan Hawke, and Chris O’Dowd.
ContinueSaban Films has nabbed North American rights to Craig William Macneill’s “Lizzie” following its premiere at the Sundance Film Festival. The look at infamous ax murderess Lizzie Borden stars Oscar-nominee Chloë Sevigny (“Boys Don’t Cry”) and Kristen Stewart (who played the apple of Edward Cullen’s eye in “The Twilight Saga”). Saban Films is planning a theatrical release in partnership with Roadside Attractions this summer. The bidding was said to be competitive.
ContinueOlivier Martinez (Unfaithful) is set to star in action-adventure series Soldiers of Fortune, produced by New Zealand’s Mercenary TV Limited and Ireland’s Subotica, and executive produced Howard Cohen, Eric d’Arbeloff and Jennifer Berman of Roadside Attractions Television (Dear White People).
ContinueBeatriz At Dinner dished up the best numbers on the Specialty side this weekend. Released by Roadside Attractions and FilmNation, Beatriz, starring Salma Hayek and John Lithgow, grossed over $150K in five New York and L.A. theaters.
ContinueRoadside Attractions has acquired domestic rights to Forever My Girl, a romantic drama produced by LD Entertainment from writer-director Bethany Ashton Wolf. Alex Roe and Jessica Rothe star in the pic, based on the Heidi McLaughlin novel, which now will hit theaters October 27.
ContinueLionsgate will team with Manchester By The Sea distributor Roadside Attractions to co-release Stronger, and they’ve set a September 22 bow. Stronger, which stars Jake Gyllenhaal and is directed by David Gordon Green, is the second movie to cover the Boston Marathon bombing tragedy.
ContinueRoadside Attractions and FilmNation Entertainment have acquired North American rights to Miguel Arteta’s Beatriz At Dinner. Mike White wrote it and Salma Hayek stars with John Lithgow. An immigrant from a poor town in Mexico, she has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will be the same. Roadside Attractions and FilmNation also acquired distribution rights for the film in Australia and New Zealand. WME/CAA/UTA negotiated on behalf of the filmmakers.
ContinueThere were close to a thousand limited-release titles that opened in 2016 in North America. Assessing the specialty box office is not as tidy as with the studios. The area requires some subjectivity given when factoring in cast, release strategy and any other number of factors. From well north of 100 distributors, specialties — for the purpose of this article, titles that opened in limited release and spent most of their theatrical rollouts outside of wide release — grossed less than $550M in 2016, according to figures provided by comScore, which provided numbers for all titles assessed in this article.
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